History of digital non-linear editing (NLE) has slightly more than 20 years. Industrial production

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History of digital non-linear editing (NLE) has slightly more than 20 years. Industrial production home food preservation and application of these systems was started in 1988. The very first NLE can handle NTSC video files with a resolution of 160 200 and 150:1 compression, supports only one audio channel 22 kHz. Same capacity of disk space is only enough to gather on a draft version of direct fusions short infomercial. In 1979, Quantel, which then belonged home food preservation to the British defense industry structure, first implemented the concept of digital nonlinear editing home food preservation and presented to the public a nonlinear system Harry, home food preservation on the disc which could be written about a minute broadcast-quality digital images. In 1989 was released the first version of Avid Media Composer, and nonlinear systems purchased one interface that is used to modern editors: with two monitors (source and installation), red and yellow arrows (modes of substitution and insertion), timeline (timeline) and baskets (bins) home food preservation for the storage of raw materials. home food preservation In 1991 an opportunity to mount on computer systems (of course, draft quality) long TV programs and movies. From that moment began the mass introduction of NLEs in television and film industry, and their evolution has to go more rapidly. Digital nonlinear home food preservation editing systems home food preservation have become universal "interpreters" when working with film, video and computer materials. System NLE, which can be completely with effects and titles, with an acceptable broadcast quality compressed 6:1, collect movie or TV transmission, were created in 1994, and since that time only began to use video recorders to digitize the raw materials and Ready master recording. And three years later were released the first software solutions home food preservation and media servers, which provided an opportunity for collaborative networking in the same project with the same media files on multiple assembly stations. NLE systems have long remained expensive home food preservation and available only to a narrow circle of users per working set needed, pay poryadka100 thousand dollars. The situation changed home food preservation in 1996, when the German companies Fast, maker of the popular hybrid systems installation Video Machine, introduced a system of Fast 601. (Contemporary its modification known as Avid Liquid). In addition to affordable prices, home food preservation in two to three times less than that of Avid Media Composer, in this system have been proposed new "rules home food preservation of the game" that adhere to today: the work with the greatest possible number of formats; using MPEG-2 compression, optimization of repetitive operations; rejection of hardware home food preservation perform many functions (eg, effects) and their transfer only on the program level; execution home food preservation of some processes in the background. Moreover, it is in Fast 601 was first implemented on a single system to output masters project in various analog and digital formats, including DVD. Since that time, the ability to import, export, home food preservation transcode video and sound not only in professional formats, but also in those that are used on the Internet and home video became mandatory feature of any solid mounting system. It opened Fast movie fans and access to professional videography television home food preservation content. In 2001, rolling out the first feature-length movie "Vidocq", which was created using only digital technology. Final assembly and image processing were performed on a new system of finishing montage iQ Quantel. Then was formulated the basic principle of modern video production WYS / WYG: "See what you get" (What you see is what you get). Start Time DI. In 2008, there were mounting systems for stereofilms. From the experimental stereoscopic attraction turned into a part of the industry, together with editors and directors and producers started to learn what and how to parallax values affect the transmission of space-ekrane.Kompanii manufacturers of digital editing systems on their demonstrations and descriptions in advertising trying to attract the attention of buyers tales of new and sophisticated effektax shablonax to create complex structures installation. But in practice the installation, usually consists home food preservation of an endless repetition of those same basic operations, when the stated capacity of the system which is used in the best case, one-third. And the work is reduced to an infinite home food preservation editor addressing interoperability of different equipment and different media formats and the correction of errors,