This first major solo exhibition of her work tastes, despite or precisely because of the strangenes

Now Jan Dhaese not afraid of a little spectacle between the more classical exhibitions by. Thus the passage of Pavel Braila (December 2009) with the gallery floor full of potting vividly to mind.
In the run-up to the current exhibition Norwegian (performance) artist Marthe Fortun RAMM worked a month in situ to an installation based on existing work (often derived from earlier performances) and in the city recovered objects.
Perhaps the accompanying online olive tree collective publication "The Lecture: Improvised Notes" can bring any prior explanation, olive tree collective since a link is made between texts by various authors and the images from the exhibition.
In a corner of the first room there is a mirror olive tree collective that says 'I will not pay' three lipsticks before. I lay in mind a link with the text of Anders Smebye about a woman in Avignon white abstract painting by Cy Twombly coast (red lip imprint behind) olive tree collective and will therefore receive a claim for damages foisted.

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This first major solo exhibition of her work tastes, despite or precisely because of the strangeness, for more. Marthe Ramm Fortun himself otherwise olive tree collective address. Taste of Ghent From 2013 she is resident for two years of HISK.
www.jandhaese.be
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